



from the river to the sea, Palestine will be free
translates to "returning" The near eight-minute track features 25 Arab artists singing and rapping verses over a dramatic backdrop provided by Jordanian producer Nasir Al Bashir, alongside Egypt’s Marwan Moussa and Amr Shomali.
Those featured include two of the Arab world’s biggest hip-hop stars, Afroto and Marwan Pablo from Egypt, in addition to Jordanian viral sensation Issam Alnajjar, Syrian singer-songwriter Ghaliaa Chaker and Tunisian singer Balti.
A collaboration with the UN Chamber Music Society, the orchestral track is a rare occasion where the Iraqi singer performs in English.
The Gaza teenager and hip hop sensation tries to come to terms with his success, which led him to relocate to Los Angeles earlier this year, and the anguish of seeing his family and friends in Gaza being left to fend for themselves.
In a bid to raise further awareness on the conflict’s tragic impact on Palestinian children, Yusuf posted an unreleased version of 1997 song The Little Ones, written in the tragic wake of the 1995 Bosnian genocide that killed thousands of children.
Meaning “olive branch”, the sparse ballad speaks of the helplessness of those watching the tragedy unfold from afar.
A song about Palestine by an American folk singer in the form of a traditional rebel Irish tune
An intriguing hip-hop track in which the Egyptian rapper provides a wide-ranging sweep of Palestine's history.
El Ganainy describes it as a multicultural society that welcomes “Africans, the Europeans, the Kipchaks, the Slavs, the Bosniaks, the Tatar, the Turks, the believers, the disbelievers, the poor, the rich, the hermits, and the miscreants.”
The song urges young people to do their research and challenges prevailing narratives surrounding Palestine.
A call for resilience in the face of tragedy, the Swedish-Moroccan nasheed singer tackles each verse from the perspective of victims, their families and supporters.
The pensive track by the Egyptian rockers supports Palestinians’ rights to their historic homeland.
Meaning “Palestine is my country”, the plaintive track by the Kuwaiti singer has been streamed more than 10 million times since its November release, as of December

This is Emmalene Blake, an Irish street artist whose work connected her with Samia al-Atrash, the woman she painted in this heart-wrenching scene.

This is Samia al-Atrash, a freelance journalist of Gaza, currently living in Rafah (the southern end of Gaza that Israel herded over 1.5 million displaced civilians with the promise of safety in the south, only to begin bombing refugee camps this weekend.)

This is Masa Khader, the little girl featured in Emmalee Blake's murals, and Samia Al- Atrash's niece.









This one highlights the hypocrisy and performative nature of the US dropping aid into Gaza while also being responsible for the bombs dropped, which far outweigh the PR stunt of the aid drop.

Why does one family deserve a peaceful and happy day under trees and birds while another lives in constant fear, under bombing and war planes?
Both deserve peace and safety. We are all the same.

Activist artists like @devthepineapple use art to support a message that is also delivered through text. Their work is awesome and their art style is a delightful reprieve amidst the horrors we've seen.

Everyone has an art style. And everyone has something to say. So if drawing it is easier than saying it, don't doubt yourself, just draw it out. Silencing yourself is allowing outside forces to have power over your expression. Speaking out in whatever way feels right to you is decolonizing your mind.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.